Grid List

Discovery Communications India today said it has roped in Anil-Ambani-led Reliance group firm, Reliance Animation to produce a new animation series, Little Singham.

Assemblage Entertainment, the feature-film focused CGI animation studio has begun production on the sequel of 2016 theatrical feature film Norm of the North, along with Splash Entertainment, Lionsgate and Dream Factory.

Framestore shows its cross-platform capabilities yet again, bringing Marvel character Hulk to life on both film and commercial platforms.

At SIGGRAPH 2017, NVIDIA is showcasing research that makes it far easier to animate realistic human faces, simulate how light interacts with surfaces in a scene and render realistic images more quickly.

Moving Pictures brings to us the VFX breakdown behind the process of replicating Rachael for Blade Runner 2049. The team lead by VFX Supervisor Richard Clegg worked closely with Director Denis Villeneuve and Production VFX Supervisor John Nelson.

MPC’s VFX team lead by VFX Supervisor Ferran Domenech worked alongside Director Ridley Scott and Production VFX Supervisor Charley Henley to create more than 700 stunning shots for the Alien: Covenant. As lead studio, MPC’s work included the creation of the movies terrifying creatures, alien environments, vehicles and complex FX simulation work.

Support us by Liking us

Pyaasa - Guru Dutt's Cult Classic becomes The Only Indian Restored Film for World Premiere at the 72nd Venice Film Festival


Ultra Media & Entertainment, who are the negative rights owners of Pyaasa, have restored this film completely for the grand occasion with an objective of preserving and presenting it in its original quality to the global audience. Pyaasa will be screened on 11th September 2015 at 2pm and 12th September, 2015 at 9am in “Sala Volpi” auditorium at Venice Film Festival.

The most challenging part of film was sourcing the authentic materials to complete the preservation. After much effort, Ultra found the original camera negatives of the film at an archive in India, However a lot of the parts of the negatives were either damaged or lost.

Ultra decided to use as much parts as possible from the original Camera Negative and a few parts were used from 35mm prints. A new digital transfer was created in 2K resolution on the ARRISCAN film scanner.This in-house technology of Ultra Studio & Digital Lab (a division of Ultra Media & Entertainment Pvt. Ltd) helped in applying a multidisciplinary, data-centric approach to the entire film’s restoration process.

Once the complete film was digitally transferred, came the most challenging part of restoration. Thousands of instances of dirt, lines, scratches, splices, warps, jitters and green patches were manually removed frame by frame under careful supervision by experienced artists.

The in-house talented professionals used a specialized film content mending and defect removal mechanism in their repair process. They carefully selected the best way to restore this priceless classic to its original quality.

The original monaural soundtrack was remastered at 24-bit from the 35mm optical soundtrack. Clicks, thumps, hiss and hum were manually removed frame by frame at the sound studio of Ultra Media & Entertainment .The film will be presented in its original aspect ratio of 1.33:1.

“Venice Classics” has been a crucial section of the Venice Film Festival which has been successfully premiering world class restored classics in the festival. The prime objective of this section is to bring back to spotlight old, underestimated and neglected films of the past which has been restored an year back by film archives, cultural institutions or production companies around the world. 

On this momentous occasion, Mr. SushilKumar Agrawal, CEO, Ultra Media & Entertainment Private Ltd. said: “It gives us an immense pleasure to present a cult classic like “Pyaasa” to the global audience. There is a huge fan following of Guru Dutt all over the world who have not been able to see this ageless magic in its original form and glory. It took us nearly 4 months to restore this film frame by frame and we are happy that the final outcome of the restored version can now be seen in its original form. Out of the many classics that we have restored, “Pyaasa” has a special place in our hearts. It is one of the rarest gems of Indian Cinema and we take great pride in preserving it and showcasing it globally. In fact the film has already created substantial buzz and we have several distribution enquiries from various parts of the world. We are also planning a major theatrical release of Pyaasa post its screening at the Venice Film Festival.”

Some frames from Pyaasa restored film 

Animationsupplement This email address is being protected from spambots. You need JavaScript enabled to view it.